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letters [correspondence] --- Matisse, Henri --- Derain, André
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expressionisme --- fauvisme --- Purrmann, Hans --- Meistermann, Georg --- Matisse, Henri
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studios [work spaces] --- painting studios [organizations] --- artists's house --- ateliers --- Matisse, Henri
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Throughout his career, Henri Matisse used imagery as a means of engaging critically with poetry and prose by a diverse range of authors. Kathryn Brown offers a groundbreaking account of Matisse's position in the literary cross-currents of 20th-century France and explores ways in which reading influenced the artist's work in a range of media. This study argues that thelivre d'artistebecame the privileged means by which Matisse enfolded literature into his own idiom and demonstrated the centrality of his aesthetic to modernist debates about authorship and creativity. By tracing the compositional and interpretive choices that Matisse made as a painter, print maker, and reader in the field of book production, this study offers a new theoretical account of visual art's capacity to function as a form of literary criticism and extends debates about the gendering of 20th-century bibliophilia. Brown also demonstrates the importance of Matisse's self-placement in relation to the French literary canon in the charged political climate of the Second World War and its aftermath. Through a combination of archival resources, art history, and literary criticism, this study offers a new interpretation of Matisse's artist's books and will be of interest to art historians, literary scholars, and researchers in book history and modernism.
Matisse, Henri, --- Criticism and interpretation. --- Books and reading. --- Relations with authors.
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verzamelingen --- Japonisme --- Salon d'Automne (Parijs, 1904) --- Cézanne, Paul --- Picasso, Pablo --- Monet, Claude --- Renoir, Pierre-Auguste --- Guillaumin, Armand --- Matisse, Henri
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Publié aux États-Unis en 1990, "La peinture comme modèle" est vite devenu une référence pour tous ceux qui veulent comprendre l'histoire du modernisme. Qu'il s'agisse des "totems de la modernité" (Picasso et Matisse) ou des maîtres de l'abstraction (Mondrian et le mouvement De Stijl, Strzeminski et Kobro, Newman, Ryman), la force plus que jamais actuelle de ces pages, nourries par une connaissance intime des œuvres et de la littérature qui leur est associée, est de proposer une approche formelle sans en passer par la doxa formaliste. À ce titre, nombre d'analyses publiées dans ce volume sont de véritables leçons de méthode pour les historiens de l'art et des outils indispensables à la compréhension de leur discipline. La pensée picturale s'y révèle un opérateur théorique, producteur de modèles. Disponible pour la première fois en français, ce livre est donc aussi une réflexion en acte, une réponse à deux questions essentielles et conjointes : qu'est-ce que regarder ? comment écrire l'histoire ?
Mouvement moderne --- Art abstrait --- Histoire de l'art --- Historiographie --- De stijl --- Picasso, Pablo --- Matisse, Henri --- Mondrian, Piet --- Strzeminski, Wladyslaw --- Kobro, Katarzyna --- Newman, Barnett --- Ryman, Robert
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Sculpture --- sculpture [visual works] --- socles --- Brancusi, Constantin --- Mosta-Heirt, Côme --- Andre, Carl --- San, Van, Tamara --- Barré, Vincent --- Soriano, Peter --- Trenkwalder, Elmar --- Matisse, Henri --- Rodin, Auguste --- Giacometti, Alberto
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Drawing --- Painting --- Art styles --- drawings [visual works] --- Expressionist [style] --- easel paintings [paintings by form] --- Modersohn-Becker, Paula --- modernisme --- kunstenaarskolonie Worpswede --- Picasso, Pablo --- Matisse, Henri --- Böcklin, Arnold --- Marées, Hans von --- modernisme. --- kunstenaarskolonie Worpswede. --- Modersohn-Becker, Paula. --- Picasso, Pablo. --- Matisse, Henri. --- Böcklin, Arnold. --- Marées, Hans von.
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The Frankfurt museum presented two outstanding artists Henri Matisse (18691954) and Pierre Bonnard (18671947) in an exhibition that was the first in Germany to bring these key modern masters together. At the heart of the comprehensive presentation was the friendship between the two French artists which lasted for over forty years. Both painters shared a preference for the same range of subjects: interiors, still lifes, landscapes and the female nude. With a selection of more than a 120 paintings, sculptures, drawings and prints, the exhibition opened a dialogue between Matisse and Bonnard and offered new perspectives on the development of the European avant-garde from the beginning of the twentieth century to the end of the Second World War.
modellen --- interieurs --- stillevens --- landschappen --- vrouwen --- naakt --- Matisse, Henri --- Bonnard, Pierre --- Hahnloser-Bühler, Arthur --- Hahnloser-Bühler, Hedy --- Post-Impressionist --- still lifes --- landscapes [representations] --- nudes [representations] --- painters [artists] --- vrouw --- modellen. --- interieurs. --- stillevens. --- landschappen. --- vrouw. --- naakt. --- Matisse, Henri. --- Bonnard, Pierre. --- Hahnloser-Bühler, Arthur. --- Hahnloser-Bühler, Hedy. --- vrouwenportretten
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